Guido Albanese’s artistic research focuses on the landscape as a space of transformation and impermanence, investigating its most unstable and powerful elements.

In dialogue with the Grand Tour tradition and the Romanticism of Friedrich and Turner, his work is characterized by an experimental and deconstructive approach. His pieces move in a fluid transition between figuration and abstraction, employing a transversal practice that ranges from Western and Eastern painting to photography, CGI, and artificial intelligence.

Within this framework, inspired by the concept of the Sublime and Eastern contemplative wisdom, the landscape is not merely a representation but an experiential dispositive: a place where Albanese brings into tension wonder and inquietude, beauty and vulnerability. Light, color, matter, and form thus become the vectors of an aesthetic experience that oscillates between fascination and bewilderment, inviting the viewer to confront the exceeding and non-anthropocentric magnitude of the living world.