Guido Albanese’s artistic research investigates landscape as a field of experimentation on the status of the contemporary image. Through the intersection of painting, artificial intelligence, and digital processing, the artist merges and fragments images of diverse origins, transferring them onto canvas through printing, collage, and pictorial interventions. This process generates a new visual and material configuration, where the digital structure of the image enters into tension with the physicality of painting, exploring the relationship between information, matter, and presence.